A window to the
PAST

A window to the
PAST

A window to the
PAST

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Profile Photo
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FILM CREDITS

THE GRAND BUDAPEST HOTEL

CLOUD ATLAS

SNOWPIERCER

CAPTAIN AMERICA: THE WINTER SOLDIER

CAPTAIN MARVEL

EXODUS: GODS AND KINGS

fAST AND FURIOUS

AN OFFICER AND A SPY

HEIDI

INDEPENDENCE DAY 2

CLIFFHANGER 2

POMPEII

LAST VOYAGE OF THE DEMETER

HINTERLAND

VIVARIUM

JIM BUTTON

AMERICAN RENEGADES

THE GRAND BUDAPEST HOTEL

CLOUD ATLAS

SNOWPIERCER

CAPTAIN AMERICA: THE WINTER SOLDIER

CAPTAIN MARVEL

EXODUS: GODS AND KINGS

fAST AND FURIOUS

AN OFFICER AND A SPY

HEIDI

INDEPENDENCE DAY 2

CLIFFHANGER 2

POMPEII

LAST VOYAGE OF THE DEMETER

HINTERLAND

VIVARIUM

JIM BUTTON

AMERICAN RENEGADES

THE GRAND BUDAPEST HOTEL

CLOUD ATLAS

SNOWPIERCER

CAPTAIN AMERICA: THE WINTER SOLDIER

CAPTAIN MARVEL

EXODUS: GODS AND KINGS

fAST AND FURIOUS

AN OFFICER AND A SPY

HEIDI

INDEPENDENCE DAY 2

CLIFFHANGER 2

POMPEII

LAST VOYAGE OF THE DEMETER

HINTERLAND

VIVARIUM

JIM BUTTON

AMERICAN RENEGADES

TV CREDITS

GAME OF THRONES

THE WHEEL OF TIME

BREAKING BAD

BABYLON BERLIN

LOST IN SPACE

SMALLVILLE

ATLANTIC CROSSING

TUNNEL OF DREAMS

GENERATION WAR

THE VAMPIRE DIARIES

GAME OF THRONES

THE WHEEL OF TIME

BREAKING BAD

BABYLON BERLIN

LOST IN SPACE

SMALLVILLE

ATLANTIC CROSSING

TUNNEL OF DREAMS

GENERATION WAR

THE VAMPIRE DIARIES

GAME OF THRONES

THE WHEEL OF TIME

BREAKING BAD

BABYLON BERLIN

LOST IN SPACE

SMALLVILLE

ATLANTIC CROSSING

TUNNEL OF DREAMS

GENERATION WAR

THE VAMPIRE DIARIES

ACCOMPLISHMENTS

2015 - OSCAR for BEST PRODUCTION DESIGN with THE GRAND BUDAPEST HOTEL

2022 - PAUL HARRIS FELLOW - ROTARY CLUB

2015 - KEYNOTE SPEAKER at ADOBE & BEHANCE PORTFOLIO REVIEW Munich

2015 - KEYNOTE SPEAKER at Lucerne’s UNIVERSITY OF ART AND DESIGN

2020 - KEYNOTE SPEAKER at VFX TALK / SAE Institute

2016 - GUEST JUDGE for CG SOCIETY Matte Painting Challenge

2016 - PREMIO PAGINE DI VITA - Eccellenze di Ostuni

2013 - Published in BALLISTIC: D'ARTISTE MATTE PAINTING 3

2009 - "MASTER OF TALENTS-FONDAZIONE CRT" for excellence in studies

2015 - OSCAR for BEST PRODUCTION DESIGN with THE GRAND BUDAPEST HOTEL

2022 - PAUL HARRIS FELLOW - ROTARY CLUB

2015 - KEYNOTE SPEAKER at ADOBE & BEHANCE PORTFOLIO REVIEW Munich

2015 - KEYNOTE SPEAKER at Lucerne’s UNIVERSITY OF ART AND DESIGN

2020 - KEYNOTE SPEAKER at VFX TALK / SAE Institute

2016 - GUEST JUDGE for CG SOCIETY Matte Painting Challenge

2016 - PREMIO PAGINE DI VITA - Eccellenze di Ostuni

2013 - Published in BALLISTIC: D'ARTISTE MATTE PAINTING 3

2009 - "MASTER OF TALENTS-FONDAZIONE CRT" for excellence in studies

2015 - OSCAR for BEST PRODUCTION DESIGN with THE GRAND BUDAPEST HOTEL

2022 - PAUL HARRIS FELLOW - ROTARY CLUB

2015 - KEYNOTE SPEAKER at ADOBE & BEHANCE PORTFOLIO REVIEW Munich

2015 - KEYNOTE SPEAKER at Lucerne’s UNIVERSITY OF ART AND DESIGN

2020 - KEYNOTE SPEAKER at VFX TALK / SAE Institute

2016 - GUEST JUDGE for CG SOCIETY Matte Painting Challenge

2016 - PREMIO PAGINE DI VITA - Eccellenze di Ostuni

2013 - Published in BALLISTIC: D'ARTISTE MATTE PAINTING 3

2009 - "MASTER OF TALENTS-FONDAZIONE CRT" for excellence in studies

EDUCATION

2009/2011 - GNOMON SCHOOL OF VISUAL EFFECTS - HOLLYWOOD, USA

2009/2011 - GNOMON SCHOOL OF VISUAL EFFECTS - HOLLYWOOD, USA

2009/2011 - GNOMON SCHOOL OF VISUAL EFFECTS - HOLLYWOOD, USA

Digital sets - 3D and Animation

Digital sets - 3D and Animation

Digital sets - 3D and Animation

2008/2009 - THE GNOMON WORKSHOP - TORINO, ITALY

2008/2009 - THE GNOMON WORKSHOP - TORINO, ITALY

2008/2009 - THE GNOMON WORKSHOP - TORINO, ITALY

3D - Concept Design - Matte Painting

3D - Concept Design - Matte Painting

3D - Concept Design - Matte Painting

2005/2008 - POLITECNICO DI TORINO - TORINO, ITALY

2005/2008 - POLITECNICO DI TORINO - TORINO, ITALY

2005/2008 - POLITECNICO DI TORINO - TORINO, ITALY

Cinema and Media Engineering

Cinema and Media Engineering

Cinema and Media Engineering

BEHIND MATTE PAINTINGS

BEHIND MATTE PAINTINGS

Article: Simone De Salvatore discusses The Grand Budapest Hotel - 99 Percent Lifestyle interview
Article: Simone De Salvatore discusses The Grand Budapest Hotel - Vice interview
Articolo: Simone De Salvatore parla della sua arte e delle scenografie di The Grand Budapest Hotel - L'Intervista ad Arte Settima

Narrative spaces, places that don't need words to tell a story, they require just a glimpse and suddenly you're in. I am Simo and, with this goal in mind, I always dreamed of a life where I could create worlds to inhabit every day, and I wanted to do that in films.

Stories and productions like The Lord of the Rings and Harry Potter forged my fantasy during my late youth and the relentless desire to be a part of them plunged me through the University years. One day the instinct tickled my brain, I picked up a pencil, a sheet of paper and for the first time I started drawing. There and then my deepest desire loomed. After graduating in Cinema and Media Engineering in Italy, I retired to my own cave and for months I learned on my own how to draw and paint. My student portfolio gifted me a scholarship with a one way ticket to Hollywood. What I thought was the final destination instead became the first step. The Gnomon School of Visual Effects welcomed me and helped enrich my collection of works, eventually wandering towards the realm of Matte Painting, the art behind those worlds and landscapes that we see in films which makes us wonder whether we're being fooled by reality or an artist's brush.

Two years of endless work and self-teaching granted me a first job as a Matte Painter in the motion picture industry. I left California and moved to Munich. I fell in love with Europe again and decided to stay, also living across Hamburg, Stuttgart, London, Belgium and Berlin. In the years that followed, to my surprise, Hollywood kept re-presenting itself with the opportunities of a lifetime full of creative dreams.

I was fortunate enough to collaborate with Ridley Scott, Wes Anderson, Roman Polanski, the Wachowskis, Paul Greengrass and Bong Joon-ho, to name a few, trying my hand through Matte Paintings, Concepts and Digital Set Design on films like The Grand Budapest Hotel, Oscar winner for Best Production Design in 2015, Game of Thrones, Cloud Atlas, The Wheel of Time, Exodus: Gods and Kings, An Officer and a Spy, Snowpiercer, Captain Marvel… and I hope the list will grow.

Curious what awaits you when you just follow the instinct and trust your original idea. It’s all in the stories that stir those first emotions, I only needed to act on them.

Today I'm writing and illustrating my own novels, in a genre that spans from fantasy to magic realism. My wish is to give back what I received from those stories, and if in doing so I’m holding a pencil, a brush or a pen, it won't matter, as long as that dream defying energy will reach the people who long for it the most.

Thank you for reading me.

Thank you for reading me.